Opus 25
Holy Rosary Catholic Church
Portland, Oregon
1996
II / 34 stops • 37 ranks
"It was a joy to play the Bond organ at Holy Rosary. I found the action to be sensitive, light and responsive, the handsome case to be suited to the architecture of the building; the new and old pipework nicely integrated into a new whole, and the voicing warm, colorful, and appropriate for the fine acoustics of the church. In short, I left feeling most satisfied."
Robert Bates, organist of Stanford Memorial Chapel, Stanford University
Stoplist
Great
16’ Double Open Diapason
8’ Open Diapason
8’ Melodia*
8’ Bourdon*
8’ Viola da Gamba*
4’ Octave*
4’ Flute
2-2/3’ Twelfth*
2-2/3’ Nazard
2’ Fifteenth*
1-3/5’ Tierce
VII Mixture
8’ Trumpet*
Tremolo
Swell
16’ Dulciana*
8’ Open Diapason*
8’ Stopped Diapason*
8’ Viola*
8’ Voix Celeste
4’ Octave
4’ Flauto Traverso*
2’ Flautino*
1-1/3’ Larigot
III Sesquialtera
8’ Oboe
8’ Clarinet
8’ Tremolo
Pedal
32’ Resultant Bass
16’ Open Diapason (Great)
16’ Sub Bass*
16’ Bourdon
8’ Geigen Principal
8’ Flute
4’ Octave
16’ Trombone
8’ Trumpet
Couplers
Swell to Great
Great to Pedal
Swell to Pedal
Electric stop action, two level Solid State combination action.
*Indicates 1880 pipework by John Bergstrom
This instrument appears on two recordings on the Pro Organo label. Please contact us by email for purchasing information.
The Gregorian Organ
Mark Williams, organist
Brahms: The Complete Organ Works
Robert Bates, organist